OK. So I had a gig with a trio, for the moment, calling it the Crawfish Trio, last night at a prominent FW private club. It was for a wedding rehearsal dinner. So it was kind of a fancy deal. The band consists of myself, Jesse (my son) on drums and Ron DiIulio on keys, kicking bass with his left hand. A real cool line up. SO anyway, first thing that happened is that we are told to set p in the foyer, being ALL Marble. Gonna be tough to keep the volume down, especially with vocals.
Well during a quick sound check, we were informed by the planner, that they didn't want any vocals! and keep it quiet. ooooookay.... So, we do a fair amount of Jazz, but all night without vocals? And our Catalogue of tunes goes from 40's standards to current pop and everything in between
DiIulio and I have been in a lot of weird situations at gigs. So...we just ran with it. I put away my electric and played my nylon string all night. We turned towards each other, and just played all the cool stuff we do as instrumentals. Arranged on the fly, working on playing together as tight as we could. We were background music anyway. So it offered the perfect opportunity to just play and have fun, practice and get paid! What a great night of fun.
But we quickly discovered how hard it is to play melody lines of songs that we typically don't. Usually, we have the vocal doing that, and we just solo during the song. What an exercise!! And what fun! The less is more thing is a true-ism in this setting. Try playing the melody to "Sultans of Swing as Knopfler (or me) sings it. There were many examples of "how do we present this tune?" Then there was the challenge of songs that have vocal cues for the arrangement, such as "You'll never Find" by Lou Rawls. The two Rons had fun with that one, but the form got away from us a couple of times....now we know.
Then Jesse had to adapt his approach to all these tunes, but switching between brushes and sticks, alternate rhythms and textures. he did an awesome job! Not bad for a 20 year old student at UNT! I am very proud of him.
I've been asked several times how do you become a great lead player. My common response is "play the melody". Once you understand that, you can improvise in a much more melodic approach. So many musicians just want to burn through all their chops. That certainly has it's place. But you can't do that with a tune like "Georgia on My Mind". NOTE SELECTION becomes everything. Last night solidified that statement for me.
Anyway, we pulled it off like the pros we are and had a great time doing it! Then we officially inducted Jesse as a Crawfish by doing the late night dinner thing at Benitos in Fort Worth. Great food and open late. A musician's life line!